On the precincts of percussion and maxims of melody a name, it seems, has come to stay. A name which is now creating melodic and rhythmic raptures in uncounted musical concerts all over the globe is Udhai Mazumdar.
Udhai hails from a family of musicians and fine artistes of Allahabad. His father, the Late Partho Sarathy Mazumdar, is among the first-generation of guitarists in the field of Indian Classical music. A versatile tabla player of the Benares Gharana, and also a composer of great finesse, Udhai has over the years, consciously evolved into an evocative and expressive tabla player. This could also be attributed to his musicianship and sensitive approach both artistically and professionally. His dedication and commitment to the classical music genre and the time-tested Indian drum has made him equally adept as a soloist and as an accompanist. Udhai, thus, naturally aspires to apply his skills to integrate the tabla as part of a musical whole in the performance arena.
As Udhai’s initial training was in vocal music, it was only natural for him to be attracted towards the nuances of composing but he was also simultaneously drawn to the resonating rhythmic possibilities of the tabla. His first encounter with the tabla was at the age of 7 years. In 1981, he turned to the eminent Pandit Ashoutosh Bhattacharya, one of the foremost disciples of the
legendary Pandit Kanthe Maharaj, to hone his skills. In 1989, Udhai shifted to Delhi to further his musical experience and became the disciple of the world-renowned Sitar Maestro, Bharat Ratna Pandit Ravi Shankar, lived with him and learnt the art of Tabla accompaniment.
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